Mapping Exhibition 2023

Mapping Exhibition 2023

Credits

Katsumi Komagata
Japan

(Shizuoka, Japan, 1953). Following a stint at Nippon Design Center, Inc., he moved to the United States in 1977, where he worked as a graphic designer. He returned to …
Katsumi Komagata
How real is an illusion for early years’ audiences? Is there any difference from reality?
Katsumi Komagata
What is the relationship between context, image, and imagination?
Katsumi Komagata
Risk, curiosity and care: what kind of role does expectation play in shaping our experience at the theatre?
Katsumi Komagata
Percipient beings: what is it like to be a baby at the theatre?
Katsumi Komagata
How can culture be transmitted through theatre for early years? From Abstract to Concrete and concrete to abstract.
Katsumi Komagata
How are movements connected to emotion?
Katsumi Komagata
How does movement relate to the human condition of the Early Years?
Katsumi Komagata
How does stillness speak to the Early Years?

Manuel Marsol
Spain

Born in Madrid in 1984, Manuel Marsol became an international name on the picturebook scene in a few short years. Translated into eight languages, his work has receive…
Manuel Marsol
Listening: why is relative silence so significant?
Manuel Marsol
How real is an illusion for Early Years’ audiences? Is there any difference from reality?
Manuel Marsol
Can clichés exist in Theatre for Early Years?
Manuel Marsol
What could be the meaning of life for very young children and what roles do image and imagination play in that?
Manuel Marsol
How can Early Years audiences perceive movements differently in theatre from adult audiences?
Manuel Marsol
How does stillness speak to the Early Years?
Manuel Marsol
How and why does the meaning and significance of a performance shift when viewed on a screen? Or why do we need live theatre?
Manuel Marsol
Hearing, Feeling, Saying: How does the experiencing of live speech affect listening and language use? How does the quality of sound colour meaning?

Fabian Negrin
Argentina / Italia

(Córdoba, Argentina, 1963). At 18, he moved to Mexico City, where he graduated in graphics from the Universidad Autonoma Metropolitana. He published cartoons for the …
Fabian Negrin
What is the relationship between context, image, and imagination?
Fabian Negrin
Percipient beings: what is it like to be a baby at the theatre?
Fabian Negrin
Does spoken text ever need to be translated for an Early Years performance?
Fabian Negrin
How can culture be transmitted through theatre for Early Years? From Abstract to Concrete and concrete to abstract.
Fabian Negrin
When do we need words to matter? Are spoken words always necessary in performance?
Fabian Negrin
What kind of theatrical signifiers are disallowed in theatre for Early Years?
Fabian Negrin
Listening: why is relative silence so significant?
Fabian Negrin
How real is an illusion for Early Years’ audiences? Is there any difference from reality?

Klaas Verplancke
Belgium

Klaas Verplancke is a worldwide acclaimed speaker, lecturer, jury member, curator, author & illustrator of over 150 books published in more then 30 languages …
Klaas Verplancke
Reverb: what happens when sound becomes a character?
Klaas Verplancke
How do very young children make meaning of abstract movement?
Klaas Verplancke
Cognition and Emotion: How does theater mean, or what is the relationship between cognition and emotion in Theatre for Early Years?
Klaas Verplancke
What is the relationship between context, image, and imagination?
Klaas Verplancke
Listening: why is relative silence so significant?
Klaas Verplancke
Percipient beings: what is it like to be a baby at the theatre?
Klaas Verplancke
How real is an illusion for Early Years’ audiences? Is there any difference from reality?
Klaas Verplancke
Does spoken text ever need to be translated for an Early Years performance?
Klaas Verplancke
How are movements connected to emotion?
Klaas Verplancke
When do we need words to matter? Are spoken words always necessary in performance?

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Index