Mapping Exhibition 2023
Mapping Exhibition 2023
Credits
Katsumi Komagata
Japan
(Shizuoka, Japan, 1953). Following a stint at Nippon Design Center, Inc., he moved to the United States in 1977, where he worked as a graphic designer. He returned to …
![](https://d3s3660ifkx137.cloudfront.net/b612e2ee-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-1f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
How real is an illusion
for early years’
audiences? Is there
any difference from
reality?
![](https://d3s3660ifkx137.cloudfront.net/b612d95c-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-2f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
What is the
relationship between
context, image, and
imagination?
![](https://d3s3660ifkx137.cloudfront.net/b612f176-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-3f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
Risk, curiosity and
care: what kind of role
does expectation play
in shaping our
experience at the
theatre?
![](https://d3s3660ifkx137.cloudfront.net/b612ea96-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-4f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
Percipient beings:
what is it like to be a
baby at the theatre?
![](https://d3s3660ifkx137.cloudfront.net/b612fc8e-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-5f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
How can culture be
transmitted through
theatre for early
years? From
Abstract to Concrete
and concrete to
abstract.
![](https://d3s3660ifkx137.cloudfront.net/b612f784-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-6f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
How are movements
connected to
emotion?
![](https://d3s3660ifkx137.cloudfront.net/b61304a4-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-7f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
How does movement
relate to the human
condition of the Early
Years?
![](https://d3s3660ifkx137.cloudfront.net/b61309ea-dfcc-11ee-b95b-42d04e178763-mapping-komagata-map-8f.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Katsumi Komagata
How does stillness
speak to the Early
Years?
Manuel Marsol
Spain
Born in Madrid in 1984, Manuel Marsol became an international name on the picturebook scene in a few short years. Translated into eight languages, his work has receive…
![](https://d3s3660ifkx137.cloudfront.net/b6130e7c-dfcc-11ee-b95b-42d04e178763-mapping-marsol-home-aquarium-manuelmarsol2020-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
Listening:
why is relative silence
so significant?
![](https://d3s3660ifkx137.cloudfront.net/b61311e2-dfcc-11ee-b95b-42d04e178763-mapping-marsol-home-bath-manuelmarsol2020-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
How real is an illusion
for Early Years’
audiences? Is there
any difference from
reality?
![](https://d3s3660ifkx137.cloudfront.net/b61317c8-dfcc-11ee-b95b-42d04e178763-mapping-marsol-home-shoebox-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
Can clichés exist in
Theatre for Early
Years?
![](https://d3s3660ifkx137.cloudfront.net/b61314ee-dfcc-11ee-b95b-42d04e178763-mapping-marsol-home-window-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
What could be the
meaning of life for
very young children
and what roles do
image and imagination
play in that?
![](https://d3s3660ifkx137.cloudfront.net/b6131a8e-dfcc-11ee-b95b-42d04e178763-mapping-marsol-theatre-chase-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
How can Early Years
audiences perceive
movements differently
in theatre from adult
audiences?
![](https://d3s3660ifkx137.cloudfront.net/b6131d5e-dfcc-11ee-b95b-42d04e178763-mapping-marsol-theatre-courtain-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
How does stillness
speak to the
Early Years?
![](https://d3s3660ifkx137.cloudfront.net/b613201a-dfcc-11ee-b95b-42d04e178763-mapping-marsol-theatre-crocodile-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
How and why
does the meaning
and significance of
a performance shift
when viewed
on a screen?
Or why do we need
live theatre?
![](https://d3s3660ifkx137.cloudfront.net/b61322e0-dfcc-11ee-b95b-42d04e178763-mapping-marsol-theatre-scream-manuelmarsol2022-mappingprojectbologna.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Manuel Marsol
Hearing, Feeling,
Saying: How does the
experiencing of live
speech affect listening
and language use?
How does the quality
of sound colour
meaning?
Fabian Negrin
Argentina / Italia
(Córdoba, Argentina, 1963). At 18, he moved to Mexico City, where he graduated in graphics from the Universidad Autonoma Metropolitana. He published cartoons for the …
![](https://d3s3660ifkx137.cloudfront.net/b61326dc-dfcc-11ee-b95b-42d04e178763-mapping-negrin-gap.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
What is the
relationship between
context, image, and
imagination?
![](https://d3s3660ifkx137.cloudfront.net/b6133b04-dfcc-11ee-b95b-42d04e178763-mapping-negrin-when-wher-how.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
Percipient beings:
what is it like to be a
baby at the theatre?
![](https://d3s3660ifkx137.cloudfront.net/b61330f0-dfcc-11ee-b95b-42d04e178763-mapping-negrin-language.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
Does spoken text ever
need to be translated
for an Early Years
performance?
![](https://d3s3660ifkx137.cloudfront.net/b6132b1e-dfcc-11ee-b95b-42d04e178763-mapping-negrin-culture-in-the-years.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
How can culture be
transmitted through
theatre for Early
Years? From Abstract
to Concrete and
concrete to abstract.
![](https://d3s3660ifkx137.cloudfront.net/b6133faa-dfcc-11ee-b95b-42d04e178763-mapping-negrin-words.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
When do we need
words to matter?
Are spoken words
always necessary in
performance?
![](https://d3s3660ifkx137.cloudfront.net/b61333ac-dfcc-11ee-b95b-42d04e178763-mapping-negrin-on-stage.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
What kind of
theatrical signifiers are
disallowed in theatre
for Early Years?
![](https://d3s3660ifkx137.cloudfront.net/b613365e-dfcc-11ee-b95b-42d04e178763-mapping-negrin-silence-speak.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
Listening: why is
relative silence so
significant?
![](https://d3s3660ifkx137.cloudfront.net/b6132e20-dfcc-11ee-b95b-42d04e178763-mapping-negrin-illusion-reality.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Fabian Negrin
How real is an illusion
for Early Years’
audiences? Is there
any difference from
reality?
Klaas Verplancke
Belgium
Klaas Verplancke is a worldwide acclaimed speaker, lecturer, jury member, curator, author & illustrator of over 150 books published in more then 30 la…
![](https://d3s3660ifkx137.cloudfront.net/b61342ac-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-01-when-sound-becomes-a-character-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
Reverb: what happens
when sound becomes
a character?
![](https://d3s3660ifkx137.cloudfront.net/b61345a4-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-02-how-to-make-meaning-out-of-abstraction-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
How do very young
children make
meaning of abstract
movement?
![](https://d3s3660ifkx137.cloudfront.net/b6134b62-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-03-the-relation-between-emotion-and-cognition-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
Cognition and
Emotion: How does
theater mean, or what
is the relationship
between cognition and
emotion in Theatre for
Early Years?
![](https://d3s3660ifkx137.cloudfront.net/b6135184-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-04-the-gap-between-image-and-imagination-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
What is the
relationship between
context, image, and
imagination?
![](https://d3s3660ifkx137.cloudfront.net/b613585a-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-05-when-silence-speaks-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
Listening:
why is relative silence
so significant?
![](https://d3s3660ifkx137.cloudfront.net/b6135558-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-06-theatre-for-babies-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
Percipient beings:
what is it like to be a
baby at the theatre?
![](https://d3s3660ifkx137.cloudfront.net/b6135b3e-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-07-how-real-is-an-illusion-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
How real is an illusion
for Early Years’
audiences? Is there
any difference from
reality?
![](https://d3s3660ifkx137.cloudfront.net/b6136156-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-08-when-does-language-need-translation-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
Does spoken text ever
need to be translated
for an Early Years
performance?
![](https://d3s3660ifkx137.cloudfront.net/b6136444-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-09-when-movement-becomes-emotion-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
How are movements
connected to emotion?
![](https://d3s3660ifkx137.cloudfront.net/b6136700-dfcc-11ee-b95b-42d04e178763-mapping-verplancke-10-when-do-we-need-words-to-mean-a4.jpg/a3b3124693fce0e20fd093d7ab44bd0db633cfc3.webp)
Klaas Verplancke
When do we need
words to matter?
Are spoken words
always necessary in
performance?